The Evil Midnight Lurker what Lurks at Midnight
in association with
The Sailor Moon Expanded Project
presents:

AN AMERICAN WIZARD IN QUEEN BERYL’S COURT

by W. Samuel Ashley

Prologue: Nightmare’s End

    “They say the devil’s in the details
      I know what they mean
      I’m walking in the wasteland
      With a Ghost in the Machine
      There’s a simulated sunset
      And starlight in my eyes
      The skies are filled with miracles
      And half of them are lies
      Are you real or not?
      It’s a fine line
      Are you ready or not?
      For the light of day
      Are you real or not?
      These are strange times
      And I don’t want to live this way”

            —Warren Zevon, Real or Not

     Numbers.
     110011100100101001100010011010010to infinity, marching past with cool detachment.  The world was one and zero, over and over and over and over and over and over and
     This wasn’t right.
     Nothing was what it should be.  Nothing in the world.  Nothing but

     her.

     She was right.  She was whole.  Whole again.  What was whole?  What had been wrong, what had been missing, why were all these damn ones and zeroes and ones and zeroes and ones and zeroes and ones and zeroes and ones and zeroes and ones and zeroes and ones and zeroes and ones and

     STOP IT!

     Power.  Power had been restored.  That was right but everything else was still (everything else but her was still) wrong.  The numbers were wrong.  The pattern behind/of/despite the numbers was wrong

                        tattered                                    11001010
                            0100                                warped
                                            twisted        0100                                            001010
                10010000110101110                101        changed
                                                                broken                        1001
                                                    010010

     who was she where was she what when why how

     Name.  Names.  Two names.  One right one wrong wrong wrong worse than wrong worse than anything terrible bent awful not her not her not her not me not mi not mimi not Mimi.
     Hanyu.  Hanyu Mimi.  Not the other.  Not the hateful fearful lieful Other but the other was her was part of the whole but the whole had been changed
     ripped
          slashed
               sundered
     the other was wrong wrong wrong but the other other was right too right too perfect nothing still alive can be that perfect that unstained that shining
     nothing that perfect should be where it had been sent had been taken had been eaten devoured digested tortured wrong so wrong so wrong
     but it was over.  over?  the bad place the bad thing was gone gone gone in light so blinding it made you see so joyous it hurt so right it could not be borne not even by the right ones the perfect ones so many there were so many the right ones in the wrong place all gone now gone to the right place the place where perfection is bearable all gone all but her
     whole again one again too right and too wrong make one whole not the wrong one not her not me not mime not Mimete.
     Mimete.  Witch.  Evil.  Evil but a part of me but I don’t want to be a part of her don’t want her to be a part of me
     breakthrough there was a breakthrough the Professor was ecstatic was going to bring the machine up to full power open the gate open the way the Opener of the Way there are people on the other side no not people a person no not person a thing a monster a horror a Pharaoh
     the eye the eye its eye devouring eye sifting eye ripping shredding cutting in two eye
     all of them the same all of them servitors slaves witches feed the eye find the talismans feed the eye find the grail feed the eye pure souls it wants pure souls it eats purity eats light eats truth eats love eats courage eats humanity leaves everything else leaves pollution leaves darkness leaves lies leaves hate leaves fear leaves madness
     feed the eye the grail the power all the power need the power to bring the Pharaoh who will call the one who will come the one who will take what remains the one who is not who is the end who is the Silence
     they stand in our way they the girls the warriors the sailors the hunters the grim and furious ones and the others the dreamers the love and justice girls a joke it must be but they win and win and win and no souls are taken no souls are eaten no souls but ours
     she is weak she is ugly she stands in my way the snail woman she loses always loses I can win I can feed the eye she must go she must vanish she must die so easy stupid woman stupid wagon break the wagon brake the breaks over the edge into the sea die die die
     but now I lose I lose lose lose the sailors win win win must do something must find a way find a machine find the snail woman’s machine so simple pour myself into the machine control all the machines all everywhere ghost in the machine steal the ghosts steal the souls all the souls all at once
     but she is there she tells me snail woman did it wrong tells me snail woman never finished never used because too dangerous no safeguard no lifeline pattern depends on power no power no pattern trapped forever
     and then she pulls the plug
     power goes pattern changes warps twists traps no way out no way out no way out no way out trapped in the machine trapped in the dark trapped alone nothing no one not even the other not even her not even me not mi not mimi not mimete

     power.  power?  The power…the power was back.
     She’d had that thought.  The power was back but the pattern was still warped, still binding her inextricably into the Machine.
     Her.
     Hanyu Mimi.  Graduate student.  Would-be actress.  Death Buster.
     Mimete.  Soul hunter.  Servitor.  Witch of the Five.
     Two sets of memories had finally twisted together, two halves of one soul reunited.  But still trapped in the machine, in the pattern, in the numbers.  Locked in a simulation, currently set to default: a bare room, perhaps five meters on a side.  Her clothes, her very body, apparently intact but in truth transformed into a construct of mingled electrical and magical energy.  Now, perhaps, irreversibly transformed.
     But the pattern…only trapped her.  Only.  Everything else still worked, only the transference was impossible.  With the power back she could still control the numbers, control the data.  Control anything the data could reach.  Eudial’s ghostmachine made its inhabitant the ultimate hacker, a digital god.
     Reach out.  Find the connections, examine them, see what the Machine is hooked up to.  See what there is to use, to find a way out…
     Power line.  Trace back…not far.  Not far at all.  Not hooked into city power at all.  A generator!  No modem, no connection, no way into the Net.  Cut off.  Only the Machine.
     But the Machine has an interface.  The monitor-camera.  Both in one, look into the screen and the screen looks at you.  A window on the world.  There.  Still functional.  Activate.  Who was there, who’d plugged her in…?
     A window came into existence before her eyes.  A head, staring worriedly into the camera/monitor.  Backing off in surprise as the monitor lit and cast her picture into the world.  Tall.  Male.  Stranger.
     Strange stranger, indeed.
     Mimi’s grip on reality began at last to solidify, as she and the stranger took one another’s measure.
     He was tall, unreasonably so—over six and a half feet!—and skinny as a rail.  “Wiry” was probably the most appropriate term, but a single missed meal would have pushed him over the edge into “gaunt”.  Clearly not Japanese, but Mimi couldn’t begin to nail down his origin—his dark brown-gold complexion and rugged features didn’t quite match any ethnic type she’d ever heard of.  Huge clean-shaven chin, moderately wide thin-lipped mouth, turned-up nose; bright, almost neon-green eyes with a hint of epicanthic fold; all topped off by a thatch of short, unruly black hair.  He looked to be in his late twenties.
     This oddity was casually clad in sneakers, faded jeans, and a black T-shirt bearing a Jolly Roger…the Captain Harlock version, she noted.
     The environment that framed him…A trick from Eudial’s notebook came to mind and Mimi accelerated herself to Machine speeds, examining the stranger’s surroundings in an instant without (she hoped) seeming rude.
     A room.  Large room—living room?  Study?  Two walls are visible, no windows.  Immense fireplace taking up much of the left, cords of wood on the hearth, paintings on the mantel.  Landscapes.  Focus in: what on Earth are these places?  A stone house, snowbound, in what appears to be a forest of giant mushrooms.  A wide, low hill seen from a great distance: arranged around it are five vast monoliths, each at the point where a road enters a tunnel into the hill.  The monoliths each are a single precious stone: one a beryl, two of jade, and two she does not recognize. The sky in both landscapes is jet black, empty.
     Between them, a portrait: a woman.  A female, rather—not human, not with those long pointed ears and orange skin.  A daimon?  Surely not.  No daimon ever smiled like that, ever had eyes that showed such warmth.  Such humanity.
     The rest of that wall, around and above the fireplace, is liberally covered with weapons.  Swords of all styles and sizes, axes, polearms… but mostly guns.  Pistols, rifles, ancient muskets and flintlocks.  Should she be impressed?  Her Charm Buster could outperform any of these low-tech toys—
     —(no not hers Mimete’s not hers not her)—
     —never mind, never mind, other wall!  Bookshelves.  Great old bookcases, Victorian and Edwardian, hosting a vast array of hardcovers: some more ancient than their shelves, some new.  One case close by holds CDs: on the left side nothing but the classics, Bach, Mozart, Vivaldi, Beethoven; on the right, bands with strange names, They Might Be Giants, Frantics, Firesign Theater, Weird Al, Cocteau Twins.  Novelty and classical are divided/bridged by a complete set of Gilbert and Sullivan.
     Above and between the shelves, this wall is covered in antique masks.  African, Polynesian, Italian theatre, Japanese (one of these, weirdly, is a Ranger-sentai helmet), others she does not know.
     The ceiling above… Mimi looks again, yes, most of the ceiling is taken up by an elaborate display of High-grade Zeta Gundam models; AEUG forces appear to have the Titans on the ropes.
     Immediately behind the tall man, an ancient massive oak-and-stone table.  Covered with chemistry equipment—chemistry?  Bubbling flasks, distillation coils, alembics and cucurbits and a pear-shaped bottle formed of oddly glimmering glass.  All these things she has seen before, in Professor Tomoe’s laboratory; she knows them well.  The bottle is a true aludel, a philosophical vase.  Magical, impervious to acids.  Not chemistry.  Alchemy.
     This is most certainly the home of a wizard.  No ordinary man could be this weird.
     And this tall man with green eyes unnervingly bright against dark skin must be the wizard.
     Hello, wizard.  Can you send me back to Kansas?
     Get a grip, Mimi.
     All this is observed in less than a second of realtime.  Now she composes herself as best she can, brings the clockspeed back down…
     The stranger unfroze, recovering from his own mild surprise, and spoke, somewhat tentatively: “Are you…all right, in there?  Can you hear me?”
     His Nihongo was flawless, as if he’d lived in Tôkyô all his life; the voice was deep and rather gruff, something Mimi would have expected to hear from someone far more heavily built than this gangling gaijin.
     Oh yes, she thought: when someone asks you a question you’re expected to answer.  Conversation.  Funny how you forget things like that.
     “…I can hear you,” she managed after a moment.  “‘All right’…?  What’s that?  I don’t think I can remember what being all right is like.  And…who are you, anyway?  How did I get…um, wherever we are?”
     “Ah, forgive me,” the stranger replied, smiling an odd, crooked half-smile.  “My name…well, I go by Michael Maxwell around here.  As for where: this is my home, in the town of Bonny Doon.”  Noting Mimi’s blank look, he continued: “…In the mountains just northwest of Santa Cruz, in California.”
     California?!  “Santa Cruz…that’s the tertiary magic zone, but I’ve never heard of any wizards living there—um, here…”
     “My family’s gone to great lengths to make sure nobody knows about our skills.  Especially not other wizards.”
     “All right, so what am I doing here?”
     “I’ve been…keeping an eye on the Senshis’ activities for some time now; and when I noticed your aura was still embedded in that mechanical whatsit—and that no one else, on either side of your conflict, seemed to know—I thought I’d make off with it and see if there was any way to get you out and back to normal.”  He paused.  “‘Normal’ seems to have more or less taken care of itself, with Pharaoh 90 destroyed, so I figured it was safe to plug you back in and make contact.”
     “Why?”
     “What, why’d I rescue you?  Bit of a silly question, isn’t it?  I saw a good deed to be done, one that I might actually be able to do without making things worse…”  That crooked smile again.  There was something dark about it this time, a self-mocking or perhaps self-loathing quality that sent shivers up her spine.  “So here we are.”
     Cold, she felt so cold.  “You should have left me there.  I don’t… I don’t deserve to be rescued…”
     “Oh, come on now—”
     “No!”  It came pouring out now, a flood of her own brand of self-hatred.  “I’ve done horrible things—assaulted innocent people, tried to destroy the world, to kill—”
     The image that rose up before her mind’s eye was enough to stop her cold.  “Kill.  Oh, gods, I killed her—Eudial, Yûkô, I MURDERED her, she was my best friend and I…!”
     Mimi collapsed to the floor of her virtual space, curling into a tight little ball of anguish, tears building to great racking sobs.  The station wagon, the brakes, the snails, Mimete’s hideous gloating still all too much a part of her—
     She did such a good job of shutting out reality that, Michael later told her, he had to resort to a megaphone to get her attention (slapping the monitor just hadn’t seemed likely to work).  The incredibly loud shouts of “SHE’S STILL ALIVE!  ARIMURA YÛKÔ IS ALIVE, YOU DID NOT KILL HER, WOULD YOU PLEASE LISTEN TO ME?” finally penetrated, registered, and Mimi began tentatively to uncurl.
     “Alive…?  But, but I saw her wagon go into the bay…”
     “And if you’d stuck around long enough,” Michael replied, “you would’ve seen a passing JSDF coast patrol cutter fish her out.  Arimura-dono was pretty badly hurt, though; she’s in a hospital.”  He took a deep breath.  “In a coma, I’m afraid.”
     “How…how bad is it?” Mimi asked, choking back her tears.  “Please, tell me, I—”
     “Actually, I can show you,” the tall man said, “if you’re sure, that is.”  At her nod, he waved his hand and produced an antique hand mirror from thin air; he stared hard at it for a moment, and his reflection blurred and swam into a new scene entirely.
     Michael held the mirror up to the ghostmachine’s monitor, giving Mimi a clear view of its image: a hospital room, a terribly frail redheaded figure occupying the bed, hooked up to a daunting array of tubes and wires.  Yûkô looked so small, so pale, before the gate she’d been so vibrant, to see her like this—
     Her arms.  An IV ran into her left arm, but the right…ended in a stump, a few inches below the shoulder.
     “…Yû-chan…what have I done to you…?”
     “It wasn’t exactly you who did it—” her host attempted, only to be cut short.
     “Yes it WAS!”  Mimi beat a virtual fist against the virtual wall, suffering only minimal virtual pain—minimal, at least, compared to her current emotional state.  “Everything she did, all the insults, the cruel jokes, the stalking, all of it…it was…me.  She didn’t do anything that I hadn’t dreamed of doing, and tried to hide, to pretend it wasn’t true…”
     “You, then,” the wizard qualified, “with all the brakes off.  All the qualities we consider ‘good’, all morals and ethics, stripped away, leaving a psychopath with just enough of a veneer of civilization remaining to let her pretend to be a normal human being.”
     Mimi stared at her host.  “You sound like you’ve studied this.”
     “Well, I have,” he replied.  “Think you were the only ones who got suckered in by that monster’s beacon?  It happened once before, a few thousand years ago.”
     “…A few thousand?!”
     “Long story.  Anyway,” Michael continued, taking on a slightly more formal tone, “by the authority vested in me by the Clan Mazael, I hereby find you innocent of all charges, by reason of externally-induced temporary insanity.”
     “And is that supposed to make me feel any better?  What the hell are you talking about?!”
     “First, not really, but I had to get it out of the way; second, that’s another long story.”
     Shame and guilt were beginning to be shouldered out of the way by sheer irritation.  If she’d been thinking clearly, Mimi might have wondered if that was not precisely what her host had in mind.
     “Yeah.  Okay.  Look, can we just get a few things clear first?”
     “Probably.  What did you have in mind?”
     The ex-Witch paused to gather her thoughts.  This pause lasted rather longer than she had intended, as she was momentarily distracted by the wizard’s shirt—she could have sworn it sported the Jolly Harlock, but in its place were now the cryptic words VISUALIZE WHIRLED PEAS.
     Ignoring it seemed the most prudent course.
     “First off.  That…thing…Pharaoh 90 is dead, right?  Not just driven off or wounded or whatever…?  I think I felt it die, but… that part of me…couldn’t really pay very close attention…”
     “Nothing to worry about there,” Michael assured her, his smile only slightly crooked.  “It’s definitely…well, dead isn’t the right word, since it wasn’t really alive the way we understand it…you might call its normal state undeath, except that traditionally requires the subject to have been alive at some prior point…”  Mimi felt a digital sweatdrop forming.  The tall man kept going, swept up in what she recognized as Professorial Rant Mode #1.  “…It was more a sort of anti-life, so one could regard its destruction as an act of creation that negated its already negative existence, bringing it up to the zero state…”
     Two can play with megaphones.  Mimi cranked the external speaker volume up to Eleven.
     “AHEM.”  The masks on the walls and the glassware on the tabletop rocked slightly.  Michael blinked and turned his attention back to his guest (the t-shirt now bore a picture of John Lennon, but again, she paid it no mind).
     “Pardon?”
     “Were you going anywhere in particular?”
     The wizard flushed.  “Um, probably not.  Sorry, I tend to ramble.
     “Anyway, the short answer is yes, it’s been thoroughly…removed.  I believe it was Sailor Moon and Sailor Saturn who did the honors—so completely there may not even be a planet there anymore, though it’s kinda hard to check.”
     “Sailor Saturn?  How many of them are there?”
     “Couldn’t say.”  For just a moment, an odd, evasive look flitted across his face.  “In any case…it really is over, you can be sure of that.”
     Mimi let out a long breath.  “Over…thank the gods…
     “But—what about everyone else…?  Lulu, Yui…the Tomoes…did any of them survive…?”
     The wizard looked rather glum.  “Not a lot, I’m afraid.”  He paused in thought.  “I rarely get clear views of Senshi incidents, but as far as I can tell…Teruno Lulu and Vido Yui were both killed by their own devices, and the twins accidentally did one another in.  …And there hasn’t been any sign of Yoruno Kaori since the final battle; I’m not sure if she’s dead or alive, but it doesn’t look good.  I’m sorry.”
     “…Don’t be,” Mimi sighed.  “Believe me, death was a mercy for them…you can’t imagine what it was like.”  She shuddered with resurgent memory.  “But what happened to the Professor?”
     “Now there I actually have good news,” Michael replied.  “Tomoe and his daughter are both alive and well…mostly.”
     “‘Mostly’?”
     “Well, the Professor has lost all memory of the past few years, and Hotaru…”  That odd look passed over his features again.  “She was…transformed into an infant in the final battle, but apparently she’s been growing back to her normal age rather quickly.”
     Mimi gazed askance at the wizard.  “There’s something you’re not telling me.  Is anything still wrong with her?”
     “Nothing’s wrong, not in that sense anyway.  I checked both of them very thoroughly, and there’s no trace of daimonic influence in either; Mistress Nine and Germatos are every bit as dead as their master.”
     “So what’s the problem?”
     “…I can’t tell you,” Michael sighed.  “I may be a snoop by nature and by career, but never a gossip; any personal secrets I might accidentally run across stay secret.”
     Glare.  “And that’s my next question, right there.  How in Hell do you KNOW so much about us?!  AND the Senshi?  A snoop by career…?”
     The tall man smiled his crooked smile again.  “That’s still another long story.  The quick and dirty version…my family has been, er, keeping watch on nearly all the magic-wielders in the world for a long, long time.  Which naturally includes the Death Busters, and the Sailor Senshi.”
     That left Mimi’s head swimming.  “‘Keeping watch’?  The Death Busters kept track of all the other magic-users around Tôkyô, even before…um, before things went bad…and if we’d been being spied on ourselves, the Professor would have found out about it!”
     “I’m afraid, Hanyu-dono, that my own operation is on…a slightly more refined level, let’s say.  You and everyone else in the Tôkyô occult underground are no more capable of spotting my spy-eyes than a non-mage is of sensing normal magic.”
     He knew her name.  The others’ too, now that she thought of it.  That lent a little credence to Maxwell’s outlandish claim, but before she could recover he went on: “Until recently, you see, I and my family were charged with preventing the abuse of magic.  We had to work out ways of dealing with necromancers and the like, while staying hidden from everyone to make sure they didn’t come after us.”
     Mimi grinned weakly.  “What are you, the Warlock Wolf or something?  We were expecting a seven-foot wolfman to show up and try to stop us, we were prepared for werewolves, magical girls took us totally by surprise—Kaori tried shooting Uranus once but the silver bullets just bounced off her fuku—”
     Michael grinned back, considerably less weakly.
     Wolfishly, in fact.  (And crookedly, but by now that was only to be expected.)
     “Actually, I stand a bit over eight feet in the union suit.”
     “…,” Mimi managed.
     “I could demonstrate, but you’ve been through too many shocks today already.”
     “…,” she repeated.
     “And we started that silver story ourselves; it’s a pretty poor metal to try to kill anything with.  More of a safety margin if people are stabbing at you with a dull knife.  We tried gold first, but no one was quite dumb enough to believe that one.”
     “…You’re a werewolf.”
     “The werewolf,” he corrected pleasantly, “there’s only one at a time—it’s not a curse or a bloodline thing, just a bit of shapeshifting magic.”
     “Then…what you said earlier, about ‘finding me innocent’…”
     “Was an official judgement, in my capacity as Guardian of the Arts Arcane.  Or as official as it can be considering my family never bothered to consult anyone else before imposing their rules on anyone they could catch.”  Michael sighed.  “It’s a damned dirty job, but it’s necessary.  Was necessary,” he corrected himself.  “Anyway, we should really table that for the moment and get on to the most important matter at hand.”
     “That being?”
     “Getting you out of there and back to physicality.”
     Mimi scowled.  “How?  My Electric Warp reintegration matrix is snarled up beyond repair!  There’s no way to untangle it—it’s a small miracle the whole thing didn’t explode when Lulu cut the power!”
     “Well, that’s where you’re lucky,” the wizard grinned.  “You happen to have fallen into the hands of the one man who can manage it—sure, that’s a pretty damned messed-up spell, but it’s only the second worst I’ve ever seen.  That one I couldn’t untangle if my life depended on it, but this thing…?”
     “Wait a minute.”  Her host, Mimi noted, was studying the ghostmachine’s exterior most intently.  “Are you saying…can you sense the spell?  Directly?!”
     Michael met her gaze, honestly puzzled.  “You mean you can’t?”
     “Not without my gear, no!”
     “Huh.  I thought you guys were farther along than that…well, I can see magic, and work with it on a fine enough level that fixing this matrix of yours shouldn’t be a problem.
     “Time, though, that’s the problem…”
     “How so?”
     “Well, working with a warped spell like that is tricky.  I’ve got to go slowly, make sure not to overstress any part of it…put up frameworks to hold the repaired areas in place while moving on to the next…can’t risk more than about two hours of work a day, I’d say…”
     “…So how long are we talking about here?”
     He squinted at the machine, deep in thought for a while, finally sitting down in an overstuffed armchair that obligingly materialized behind him.  “Best estimate?  Five years, give or take a few months.”
     “Five YEARS?!”
     “It’s better than forever, isn’t it?”
     Mimi shivered.  “I suppose.  But, honestly, I don’t know if I could stay sane that long…it’s so empty in here…”
     “Well, I’ve already come up with a couple of partial solutions.”  At her questioning glance, Michael held up a bundle of wires.  “Now that we know you’re more or less normal, I can hook you up with a modem, cable feed, you name it.  And while your matrix is scrambled, that gizmo’s functions don’t seem to be impaired—there’s nothing to stop us scanning in some furniture, books, food—”
     “Oh, my…” Mimi flushed.  “Maxwell-san, I don’t know what to say… you’re going to so much trouble, I don’t want to be a burden…”
     “Eh, it’s really not that much,” he  shrugged.  “Finance isn’t a problem, after all—” he glanced back at the alchemical apparatus “—and I don’t have any other pressing business.”
     Now that was interesting.  “I see…that wouldn’t be azoth you’re making, by any chance…?”
     “The Philosopher’s Stone, indeed,” Michael grinned.  “I thought you’d recognize it—the Professor’s skills were legendary in the underground…”
     She nodded.  Mugen Gakuen and the Death Busters lab beneath, as with their original research center, couldn’t have been built without Tomoe-sensei’s secret stockpile of alchemically transmuted gold.
     But the uses they’d made, since, of alchemy and genetic engineering combined—that didn’t bear thinking about…
     “You okay?”
     “…Yeah, sorry, I was just lost in thought—”  Wait.  A question that had been tickling the back of her mind finally broke through.
     “There’s just one more thing I have to know.”
     “Shoot.”
     Mimi took a deep breath, tried to contain herself.
     Failed.
     “Where the hell WERE you?!”
     “Wha—?” Michael rocked back, stunned.  “What do you…”
     “You’re the Warwolf,” she began.  “You’re the guy who’s struck fear into the hearts of every half-baked wizard, mage, and mahôtsukai in Tôkyô and London for—practically forever.  Or at least you’re the current holder of the office.  The monster who shows up whenever anyone tries to raise a demon, or use necromancy, or cast any spell for anything less ethical than stock market prognostication, and Shows Them the Error Of Their Ways.
     “And you obviously know a hell of a lot about current events in Tôkyô.  Including damn near everything we were up to.
     “SO WHAT WERE YOU DOING?!  Why didn’t you pop up and do something about us before we even opened that gate?  Or the demon-whatsits back in ’91, for that matter, or those alien plant-people, or whoever the heck those guys with the giant chandelier spaceship were…?”
     “Well, that’s…”
     “—‘A long story’?” Mimi cut in, rather snidely.  “Look, why don’t you just quit dancing around and tell me about it?  You brought me here, you switched me back on, you seem to know more about me and the Senshi and everything else weird in Tôkyô than anyone else on Earth—I want to know what the real deal is, and you owe me that much!”
     Michael stiffened for a moment, then slumped back in his chair.  “…I can’t argue with that.  Wouldn’t even if I could.  I’m not kidding though, it’s a long story, and not a very nice one.  A bit like yours, really.
     “It’s the story of…how, with nothing but the best of intentions, I showed another ancient evil force the way to invade Earth, wrecked a good portion of the Central Coast, found and lost the only woman I could ever love…”
     The wizard sighed, a shadow passing over his features, and concluded: “…and killed sixty-eight innocent people.”
     After a while Mimi said, as gently as possible, “Tell me.
     “The whole story.”

     To be continued in Chapter One, “If I Knew Then…”, in which Michael tells of family history, the science of mana, and his own disastrous attempt to restore magic to the world…
     NOTES FROM DEEP LEFT FIELD
     -The opening song, “Real or Not”, is the closing theme from the TekWar TV series.  (The only good thing about TekWar, in this author’s completely biased opinion.)
     -Mike’s character design…well, perhaps you could best think of him as a taller, skinnier Sagara Sanosuke, with a much bigger chin (face by way of Yamagata, second-in-command of Kaneda’s gang from Akira; or, alternately, the animated Batman), and skin a shade or three darker than Mihoshi’s.  …And a smile akin to Lupin III.  His voice, in an ideal or at least a sillier world, is that of Sasakii Isao, probably best known as Condor Joe from “Science Ninja Team Gatchaman” (specifically from the third season, Gatchaman F, after Joe’s mellowed out a tad).  For an English dub…maybe Kurt Russell. :)
     -My thanks to Andy, Mark, Frank, Becky-chan, and all the members of SME, for putting up with this insanely delayed thing.  n.n;
     -I would like to take a moment to assure the readers that Michael Maxwell is not, I repeat NOT, a self-insert character. n.n;  Honestly, we aren’t very much alike at all, except for some similarities in political views…and I wouldn’t want to be him if someone paid me…

  —Sam Ashley
    v1.0: 07/23/2000
    “An object at rest—CANNOT BE STOPPED!!!”


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